When he broke open the fourth seal, I heard the voice of the fourth living creature cry out, “Come forward.” I looked, and there was a pale green horse. Its rider was named Death, and Hades accompanied him. They were given authority over a quarter of the earth, to kill with sword, famine, and plague, and by means of the beasts of the earth. (Rev 6:7-8)
The global revolution set off by violence, economic collapse, and chaos leads to massive deaths by the “sword, famine, and plague.” More than one virus, whether it’s Ebola, Avian Flu, the Black Plague, H1NI, Covid-19 or “superbugs” emerging at the end of this antibiotic era, are poised to spread worldwide as global pandemics have been expected for some time now. Pope John Paul II seemed to anticipate this hour in 2003:
I have been personally struck by the feeling of fear which often dwells in the hearts of our contemporaries. An insidious terrorism capable of striking at any time and anywhere; the unresolved problem of the Middle East, with the Holy Land and Iraq; the turmoil disrupting South America, particularly Argentina, Colombia and Venezuela; the conflicts preventing numerous African countries from focusing on their development; the diseases spreading contagion and death; the grave problem of famine, especially in Africa [and now locusts!]; the irresponsible behaviour contributing to the depletion of the planet’s resources: all these are so many plagues threatening the survival of humanity, the peace of individuals and the security of societies. —Address to the Diplomatic Corp, January 13th, 2003; vatican.va
Famine is the result of economic collapse and the collapse of the food supply chain. This is only compounded by the "sword"—violence between individuals and nations—that facilitates the rapid spread of disease.
Alicja Lenczewska



Elizabeth Kindelmann
Through what became The Spiritual Diary, Jesus and Mary taught Elizabeth, and they continue to instruct the faithful in the divine art of suffering for the salvation of souls. Tasks are assigned for each day of the week, which involve prayer, fasting, and night vigils, with beautiful promises attached to them, laced with special graces for priests and the souls in purgatory. In their messages, Jesus and Mary say that The Flame of Love of the Immaculate Heart of Mary is the greatest grace given to mankind since the Incarnation. And in the not-so-distant future, her flame will engulf the entire world.
Father Stefano Gobbi
Why Gisella Cardia?
Thirdly, the messages have frequently been accompanied by visible phenomena, photographic evidence found in In Cammino con Maria, which cannot be the fruit of subjective imagination, notably the presence of the stigmata on Giselle’s body and and the appearance of crosses or religious texts in blood on Gisella’s arms. See the pictures taken from her apparition website 
Jennifer
Why Manuela Strack?

Why the Visionaries of Our Lady of Medjugorje?
Why Pedro Regis?
Why the Servant of God Luisa Piccarreta?
of the saints. It wasn’t until she became a “Daughter of Mary” that the nightmares finally ceased at the age of eleven. In the following year, Jesus began to speak interiorly to her especially after receiving Holy Communion. When she was thirteen, He appeared to her in a vision that she witnessed from the balcony of her home. There, in the street below, she saw a crowd and armed soldiers leading three prisoners; she recognized Jesus as one of them. When He arrived beneath her balcony, He raised his head and cried out: “Soul, help Me!” Deeply moved, Luisa offered herself from that day on as a victim soul in expiation for the sins of mankind.
immobile, rigid-like state that appeared almost as if she were dead. It was only when a priest made the sign of the Cross over her body that Luisa regained her faculties. This remarkable mystical state persisted until her death in 1947—followed by a funeral that was no little affair. During that period in her life, she suffered no physical illness (until she succumbed to pneumonia at the end) and she never experienced bedsores, despite being confined to her little bed for sixty-four years.
Why Simona and Angela?
Valeria Copponi